Highlights Tour of the Columbus Museum of Art “River Front No. “Sphere Within Sphere,” “Sfera con Sfera,” by Arnaldo Pomodoro.Virtual Tour of the Columbus Museum of Art On view through February 6, 2021.The Columbus Museum of Art is dedicated to collecting and exhibiting American and European modern art and contemporary art along with folk art, glass art, and photography. Artnet recently visited Davis at her studio. ![]() Unseen work by Kelly and new text drawings and weavings by Davis enter into conversation with the hand-drawn lines and gridded compositions of Martin’s works on paper. Rahima Gambo, The Walk (detail), 2019 Part of the group exhibition I have this memory, it is not my ownĪt the Pippy Houldsworth Gallery in London, Lines of Thought presents work by Kenturah Davis, Mary Kelly, and Agnes Martin that explores the poetics and politics of language. ![]() Works by Mariam Abouzid Souali, Jess Atieno, Binta Diaw, Adji Dieye, and Rahima Gambo interpret the concept of “architecture,” which offers a pretext to explore the interrelation between physical arrangements, identity, and symbolic, historical, and cultural structures. Opening today at Galerie Cécile Fakhoury in Dakar, Senegal, I have this memory, it is not my own is a group show of emerging female African artists. The Guardian interviews 50 women artists about the impact of motherhood on their art. Hyperallergic reports on the new 44.4 Mothers/Artists Collective, which seeks to raise awareness about the labor of motherhood.ĪRTnews interviews Joanna Piotrowska, whose photography reveals the hidden tensions of domestic spaces.Īrtnet examines why auction house bidders are overwhelmingly male, revealing that women collectors are “more interested in creating value than buying trophies.” Photographer Brenda Ann Kenneally documented the experience of her former neighbor Barbara and her children while they lived in a one-room homeless shelter after being evicted from their home in March 2020 Photo by Brenda Ann KenneallyĪrtnet explores the backstory of Georgia O’Keeffe’s legendary painting Ram’s Head, White Hollyhock-Hills (1935).įrieze interviews filmmaker Garrett Bradley, whose current exhibition Projects imagines Black figures from the early 20th century who have been lost to history. The Cut publishes Brenda Anna Kenneally’s photographs of the experience of one family who was evicted during the pandemic. The Guardian examines 250 years of first lady portraiture, including Edith Roosevelt as depicted by Cecilia Beaux in 1902 and Michelle Obama by Amy Sherald in 2018. The New York Times reflects on the “special genius” of Selena, the late Mexican American star who is the subject of a new Netflix bio-series.įor Hyperallergic, Sonja Drimmer examines why public memorials for women are commonly controversial: “It’s not that women have a problem with public monuments it’s that public monuments have a problem with us.” Front-Page FemmesĪrtnet profiles Sumayya Vally, the youngest architect to win the commission to design the pavilion for London’s Serpentine Galleriesįor BmoreArt, Teri Henderson reviews Jenna Wortham and Kimberly Drew’s new book, Black Futures (2020): “This is a holy text that I will keep close to my chest.” Aminah Brenda Lynn Robinson Photo courtesy of the Columbus Museum of ArtĬo-curator Carole Genshaft said, “The driving force behind work was to create a record for what had been lost through the oppression of slavery.” In 2019, the museum converted Robinson’s home into a residency for Black artists. Raggin’ On: The Art of Aminah Brenda Lynn Robinson’s House and Journals presents artworks, journals, and various personal possessions of the 2004 MacArthur Genius Grant awardee. A posthumous exhibition dedicated to her seven-decade career is on view at the museum through October 3, 2021. Artnet profiles the late artist Aminah Robinson, who bequeathed her entire estate to the Columbus Museum of Art when she died in 2015.
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